Just as Henry David Thoreau “traveled a great deal in Concord,” Nobel Prize–winning physicist Steven Weinberg sees much of the world from the window of his study overlooking Lake Austin. In Lake Views Weinberg, considered by many to be the preeminent theoretical physicist alive today, continues the wide-ranging reflections that have also earned him a reputation as, in the words of New York Times reporter James Glanz, “a powerful writer of prose that can illuminate—and sting.”
This collection presents Weinberg’s views on topics ranging from problems of cosmology to assorted world issues—military, political, and religious. Even as he moves beyond the bounds of science, each essay reflects his experience as a theoretical physicist. And as in the celebrated Facing Up, the essays express a viewpoint that is rationalist, reductionist, realist, and secular. A new introduction precedes each essay, explaining how it came to be written and bringing it up to date where necessary.
As an essayist, Weinberg insists on seeing things as they are, without despair and with good humor. Sure to provoke his readers—postmodern cultural critics, enthusiasts for manned space flight or missile defense, economic conservatives, sociologists of science, anti-Zionists, and religious zealots—this book nonetheless offers the pleasure of a sustained encounter with one of the most interesting scientific minds of our time.
Examining Afro-German artists’ use of Afrofuturist tropes to critique German racial history
The term Afrofuturism was first coined in the 1990s to describe African diasporic artists’ use of science fiction, speculative fiction, and fantasy to reimagine the diaspora’s pasts and to counter not only Eurocentric prejudices but also pessimistic narratives. Out of This World: Afro-German Afrofuturism focuses on contemporary Black German Afrofuturist literature and performance that critiques Eurocentrism and, specifically, German racism and colonial history. This young generation has, Priscilla Layne argues, engaged with Afrofuturism to disrupt linear time and imagine alternative worlds, to introduce non-Western technologies into the German cultural milieu, and to consider the possibilities of posthumanism. Their experiments in futurist and speculative narratives offer new tools for breaking with the binary thinking about race, culture, and gender identity that have been enforced by repressive ideological and state apparatuses, such as educational, cultural, and police institutions. Rather than providing escapism or purely imaginary alternatives, however, they have created a space—outer and artistic—in which their lives matter.
An informative and one-of-a-kind guide, Out of This World offers readers and scholars alike a tour of speculative fiction's new globalized era.
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